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J.S. Bach - The Great Choral Works Of J. S. Bach: The Magnificat, The B Minor Mass, All The Great Oratorios, St. Matthew Passion, St. John Passion, Christmas Oratorio, Easter Oratorio Album

J.S. Bach - The Great Choral Works Of J. S. Bach: The Magnificat, The B Minor Mass, All The Great Oratorios, St. Matthew Passion, St. John Passion, Christmas Oratorio, Easter Oratorio Album
Performer: J.S. Bach
Genre: Classical
Title: The Great Choral Works Of J. S. Bach: The Magnificat, The B Minor Mass, All The Great Oratorios, St. Matthew Passion, St. John Passion, Christmas Oratorio, Easter Oratorio
MP3 album size: 1368 mb
FLAC album size: 2252 mb
Style: Baroque, Oratorio
Country: US
Catalog number: S-4362
Label: Murray Hill Records

Tracklist


1Part IV: On New Year's Day (No. 36-42) "Fallt Mit Danken, Fallt Mit Loben" ("Come And Thank Him")
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
25:06
2Sinfonia - Adagio - Duet And Chorus "Kommt, Eilet Und Laufet"
3 St. John Passion
4Part II: From Recitative "Ach Golgatha, Unsel'ges Golgatha" Through End Of Work
Conductor – Ferdinand GrossmannOrchestra – Wiener Akademie Kammerchor
28:15
5Part II: On The Second Day Of The Festival Of Christmas (No. 10-23) Symphony
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
26:00
6 Magnificat In D Major
7Part III: On The Third Day Of The Festival Of Christmas (No. 24-35) "Herrscher Des Himmels Erhoere Das Lallen" ("Hear, King Of Angels")
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
21:00
8Part V: On The Sunday After New Year's Day (No. 43-53) "Ehre Sei Dir Gott Gesungen" ("Glory Be To God")
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
23:30
9Recitative: "Indessen Seufzen" Aria: "Saget Mir Geshwinde"
10Part VI: On The Festival Of The Epiphany (No. 54-64) "Herr, Wenn Die Stolzen Feinde Schnauben" ("Lord, When Our Haughty Foes Assail Us")
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
25:00
11Part II: From Aria "Aus Liebe Will Mein Heiland Sterben" Through Recitative "Dessgleichen Sehmaehten Ihn"
Conductor – Ferdinand GrossmannOrchestra – Wiener Akademie Kammerchor
30:05
12Part II: From Chorus "Ach Nun Ist Mein Jesus Hin" Through Aria "Geduld, Wenn Mich Falsche Zungen Stechen"
13From Recitative And Choruses No. 33 "Und Die Kriegsknechte Flochten Eine Krone" Through Recitative "Und Neigte Das Haupt Und Verschied"
Alto Vocals – Elfriede HofstaedterBass Vocals – Harald Buchsbaum, Walter BerryConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Gisela RathauscherTenor Vocals – Ferry Gruber, Rudi Kreuzberger
32:00
14 The Passion According To St. Matthew
15 Mass In B Minor
16Magnificat In D Major
Alto Vocals – Hildegard RütgersBass Vocals – Erich WenkChoir – Figuralchor Der Gedächtniskirche StuttgartConductor – Helmuth RillingFlute – Helmut Steinkraus, Konrad HampeOboe d'Amore – Willy SchnellOrchestra – Bachcollegium Stuttgart, Bachcollegium StuttgartSoprano Vocals – Romy GundermannTenor Vocals – Kurt Equiluz
31:47
17Gloria (Gloria - Laufamus Te - Gratias Agimus - Dominus Deus - Qui Tollis - Qui Sedes)
Alto Vocals – Margarethe BenceBass Vocals – Erich WenkConductor – Hans GrischkatOrchestra, Choir – Swabian Chorale & Orchestra Of The 35th German Bach FestivalSoprano Vocals – Friederike SailerTenor Vocals – Fritz Wunderlich
30:37
18Easter Oratorio (Continued)
Alto Vocals – Maria NussbaumerBass Vocals – Otto WienerConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Laurence DutoitTenor Vocals – Franz Gruber
(23:00)
19Part I: On The First Day Of The Festival Of Christmas (No. 1-9) "Jauchzet, Frohlosket, Auf, Preiset Die Tage" ("Christians, Be Joyful")
Bass Vocals – Walter BerryConductor – Ferdinand GrossmannContralto Vocals – Dagmar Herrmann-BraunOrchestra – Wiener Akademie KammerchorSoprano Vocals – Elisabeth Roon, Laurence DutoitTenor Vocals – Erich Majkut
23:00
20Part I: Through Recitative "Er Antwortete Und Sprach"
Alto Vocals – Maria NussbaumerBass Vocals – Harald Buchsbaum, Otto WienerConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Laurence DutoitTenor Vocals – Erich Majkut, Rudi Kreuzberger
31:25
21Gloria (Quoniam - Cum Sancto Spiritu); Credo (Credo - Patrem Omnipotentem - Et In Unum Dominum - Et Incarnatus - Crucifixus)
Alto Vocals – Margarethe BenceBass Vocals – Erich WenkConductor – Hans GrischkatOrchestra, Choir – Swabian Chorale & Orchestra Of The 35th German Bach FestivalSoprano Vocals – Friederike SailerTenor Vocals – Fritz Wunderlich
29:48
22Recitative: "Wir Sind Erfreut" Chorus: "Preis Und Dank"
23Part II: From Recitative "Und Der Hohepriester Antwortete" Through Recitative "Er Hat Uns Allen Wolgetan"
Conductor – Ferdinand GrossmannOrchestra – Wiener Akademie Kammerchor
28:45
24Easter Oratorio
Alto Vocals – Maria NussbaumerBass Vocals – Otto WienerConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Laurence DutoitTenor Vocals – Franz Gruber
(28:36)
25Aria No. 60 "Mein Teurer Heiland" Through End
Alto Vocals – Elfriede HofstaedterBass Vocals – Harald Buchsbaum, Walter BerryConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Gisela RathauscherTenor Vocals – Ferry Gruber, Rudi Kreuzberger
32:25
26Recitative: "Hier Ist Die Gruft" Aria: "Sanfte Soll Mein Todeskummer"
27 Easter Oratorio
28Part I (Continued) And Part II
Conductor – Ferdinand GrossmannOrchestra – Wiener Akademie Kammerchor
(30:25)
29 Christmas Oratorio
30Recitative: "O Kalter Maenner Sinn!" Aria: "Seele Deine Specereien"
31Credo (Et Resurrexit - Et In Spiritum - Confiteor); Sanctus (Sanctus)
Alto Vocals – Margarethe BenceBass Vocals – Erich WenkConductor – Hans GrischkatOrchestra, Choir – Swabian Chorale & Orchestra Of The 35th German Bach FestivalSoprano Vocals – Friederike SailerTenor Vocals – Fritz Wunderlich
25:22
32Beginning Through Recitative "Jesus Aber Antwortete"
Alto Vocals – Elfriede HofstaedterBass Vocals – Harold Buchsbaum, Walter BerryConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Gisela RathauscherTenor Vocals – Ferry Gruber, Rudolf Kreuzberger
29:56
33Part I: From Recitative "Wiewohl Mein Herz In Traenen Schwimmt" Through Chorale "Was Mein Gott Will"
Conductor – Ferdinand GrossmannOrchestra – Wiener Akademie Kammerchor
27:35
34Part I: Kyrie (Kyrie Eleison - Christe Eleison - Kyrie Eleison)
Alto Vocals – Margarethe BenceBass Vocals – Erich WenkConductor – Hans GrischkatOrchestra, Choir – Swabian Chorale & Orchestra Of The 35th German Bach FestivalSoprano Vocals – Friederike SailerTenor Vocals – Fritz Wunderlich
22:22
35From Recitative "Und Er Kam Und Fand Sie Ober Schlafend" Through Chorale "O Mensch Beweln Dein Suende Aross"
36From Chorale "Wer Hat Dich So Geschlagen, Mein Heil" ThFrom Chorale "Wer Hat Dich So Geschlagen, Mein Heil" Through Arirough Aria No. 32 "Erwäge, Wie Sein Blutgefärbter Rucken"
Alto Vocals – Elfriede HofstaedterBass Vocals – Harold Buchsbaum, Walter BerryConductor – Ferdinand GrossmannOrchestra – Wiener Akademie KammerchorSoprano Vocals – Gisela RathauscherTenor Vocals – Ferry Gruber, Rudolf Kreuzberger
27:44
37Sanctus (Osanna - Benedictus - Osanna); Agnus Dei (Agnus Dei - Dona Nobis)
Alto Vocals – Margarethe BenceBass Vocals – Erich WenkConductor – Hans GrischkatOrchestra, Choir – Swabian Chorale & Orchestra Of The 35th German Bach FestivalSoprano Vocals – Friederike SailerTenor Vocals – Fritz Wunderlich
19:57

Credits


  • Composed ByJohann Sebastian Bach

Notes


Track indexing: Disk 1 (Sides A and X), Disk 2 (Sides B and W), Disk 3 (Sides C and V), Disk 4 (Sides D and U), Disk 5 (Sides E and T), Disk 6 (Sides F and S), Disk 7 (Sides G and R), Disk 8 (Sides H and Q), Disk 9 (Sides I and P), Disk 10 (Sides J and O), Disk 11 (Sides K and N) and Disk 12 (Sides L and M).

Barcodes


  • Matrix / Runout (Side 1A Runout): VS 115 A-1
  • Matrix / Runout (Side 1B Runout): VS 2927
  • Matrix / Runout (Side 2A Runout): VS 3705
  • Matrix / Runout (Side 2B Runout): VS 2926
  • Matrix / Runout (Side 3A Runout): VS 3706
  • Matrix / Runout (Side 3B Runout): VS 2925
  • Matrix / Runout (Side 4A Runout): VS 3707
  • Matrix / Runout (Side 4B Runout): VS 2924
  • Matrix / Runout (Side 5A Runout): VS 3708
  • Matrix / Runout (Side 5B Runout): VS 2923
  • Matrix / Runout (Side 6A Runout): VS 3709
  • Matrix / Runout (Side 6B Runout): VS 2922
  • Matrix / Runout (Side 7A Runout): VS 3710
  • Matrix / Runout (Side 7B Runout): VS 2911
  • Matrix / Runout (Side 8A Runout): VS 3711
  • Matrix / Runout (Side 8B Runout): VS 2920
  • Matrix / Runout (Side 9A Runout): VS 3712
  • Matrix / Runout (Side 9B Runout): VS 2919
  • Matrix / Runout (Side 10A Runout): VS 3713
  • Matrix / Runout (Side 10B Runout): VS 2918
  • Matrix / Runout (Side 11A Runout): VS 3728
  • Matrix / Runout (Side 11B Runout): VS 2917
  • Matrix / Runout (Side 12A Runout): VS 3729
  • Matrix / Runout (Side 12B Runout): VS 2916

Album


In the Bach-Werke-Verzeichnis BWV, catalogue of Bach's compositions masses, passions and oratorios refers to two chapters: Chapter 3: Messen, Messensätze, Magnificat Masses, Mass movements, Magnificat, original range: BWV 232243. Chapter 4: Passionen, Oratorien Passions, Oratorios, original range: BWV 244249. The Easter Oratorio German: Oster-Oratorium, BWV 249, is an oratorio by Johann Sebastian Bach, beginning with Kommt, eilet und laufet Come, hasten and run. Bach composed it in Leipzig and first performed it on 1 April 1725. The first version of the work was completed as a cantata for Easter Sunday in Leipzig on 1 April 1725, then under the title Kommt, gehet und eilet. It was named oratorio and given the new title only in a version revised in 1735. In a later version in the 1740s the third. Bach: St. Matthew Passion. Johann Sebastian Bach. 8 out of 5 stars 96. Next came the St John Passion , and it set new standards for period performance practice. Here the soloists declaim the text more expressively than in the Mass Rolfe-Johnson, in particular, proves an oustanding Evangelist. The contribution of the choir is, once again, a great asset, and Gardiner leads an interpretation notable for its dramatic intensity. But these are minor quibbles in light of such a formidable bargain. Urgently recommended to neophytes and veteran collectors alike. Beautiful Organ Chorales & Works by Johann Sebastian Bach. It's the great playlist for studying, reading. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around Mighty Fortress Is Our God: Sacred Choruses of J. Bach - Johann Sebastian Bach. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Bach, J. Christmas Oratorio, St. Matthew Passion, St. John Passion, Mass in B minor, 2002. John Eliot Gardiner. Christmas Oratorio, BWV 248: Chor: Fallt mit Danken, fallt mit Loben, 05:31. Mass in B Minor, BWV 232: Gloria in excelsis Deo, 01:43. Mass in B Minor, BWV 232: Et incarnatus est, 03:25. Mass in B Minor, BWV 232: Et resurrexit, 03:48. Mass in B Minor, BWV 232: Gratias agimus tibi, 03:02. Its a 12 record box set with all this in it The magnificat The B minor mass All the great oratorios St. matthew passion St. John Passion Christmas Oratorio Easter Oratorio. All the great oratorios. matthew passion. John Passion. Christmas Oratorio. Easter Oratorio. Christmas Oratorio St. Matthew Passion St. John Passion Mass in B minor. English Baroque Soloists. 159 listeners. 4 more albums featuring this track. Do you know the lyrics for this track Add lyrics on Musixmatch. From The Album. Play album. Is the St Matthew Passion better than the double concerto Better than the Musical Offering I don't know how to compare that. What I can say is that the grand oratorios and masses, with St Matthew's probably at the top, are the greatest examples of Bach's choral works. In a way, St Matthew's is a greatest-hits compilation, drawing arias and chorales from a large back catalog of cantatas. Now every one of those regular Sunday cantatas would surely be considered am. Continue Reading. Loading I have no idea how to start comparing the St Matthew passion to works in complete. Bach Fugue in G minor, Little, BWV 578 Magnificat Mass in B Minor Minuet in G major BWV Anh. Bach-Werke-Verzeichnis List of compositions by J. Bach printed during his lifetime List of chorale harmonisations by Johann Sebastian Bach List of fugal works by Johann Sebastian Bach. Commemorative statue of J. Bach in Leipzig
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