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Killing Joke - Killing Joke Album

Killing Joke - Killing Joke Album
Performer: Killing Joke
Genre: Rock
Title: Killing Joke
MP3 album size: 2837 mb
FLAC album size: 2273 mb
Style: Hardcore, Industrial
Released: 28 Jul 2003
Catalog number: 5126022000
Label: Zuma Recordings


1You'll Never Get To Me6:19
2Loose Cannon4:12
4Blood On Your Hands6:00
5Seeing Red5:27
7Total Invasion
Voice – Katie Summers
8Dark Forces6:26
9The Death & Resurrection Show6:56
10The House That Pain Built6:13


CategoryArtistTitle (Format)LabelCategoryCountryYear
ZUM 512602 2, 5126022000Killing Joke Killing Joke ‎(CD, Album)Zuma Recordings, Zuma RecordingsZUM 512602 2, 5126022000Europe2003
EICP 265Killing Joke Killing Joke ‎(CD, Album)Epic, Zuma RecordingsEICP 265Japan2003
SAMPCD 13070 2, 0130702000Killing Joke Killing Joke ‎(CD, Album, Promo)Zuma Recordings, Zuma RecordingsSAMPCD 13070 2, 0130702000Austria2003
ZUMACDP002Killing Joke Killing Joke ‎(CD, Album, Promo)Zuma RecordingsZUMACDP002UK2003
ZUMACDP002Killing Joke Killing Joke ‎(CD, Album, Promo)Zuma RecordingsZUMACDP002UK & Europe2003


  • Art DirectionMilk
  • DrumsDave Grohl
  • EngineerAndy Gill, Jerry Kandiah
  • Engineer [Assistant - LA Drum Session]Andrew Alekel
  • Engineer [LA Drum Session]Nick Raskulinecz
  • Guitar [Additional Feedback]Andy Gill
  • Mastered ByStephen Marcussen
  • Mastered By [Master Editor]Nigel Walton
  • Mixed ByClive Goddard
  • PerformerDave Grohl, Geordie, Jaz Coleman, Raven, Youth
  • ProducerAndy Gill
  • Written-ByGill, Walker, Coleman, Glover


Printed on front cover: "WARNING MODERATE impact coarse language and/or themes".
Printed on back cover:
Manufactured in Australia by Sony Music Entertainment (Australia) Limited


  • Barcode: 9 399700 110678
  • Matrix / Runout: 0152498 01 SMEA
  • Mastering SID Code: IFPI L681


  • Distributed By – Sony Music
  • Manufactured By – Sony Music Entertainment (Australia) Limited
  • Phonographic Copyright (p) – Zuma Recordings Ltd.
  • Copyright (c) – Zuma Recordings Ltd.
  • Recorded At – Beauchamp Building
  • Recorded At – Grand Master Studios
  • Mastered At – The Edit Suite
  • Mastered At – Marcussen Mastering
  • Pressed By – SMEA – 0152498



Killing Joke is the debut studio album by English rock band Killing Joke, released on 5 October 1980 by E. It debuted at number 41 on the UK Albums Chart on 26 October 1980 and later peaked at number 39. Killing Joke was recorded in August 1980 at Marquee Studios in London, shortly after a small tour promoting the Almost Red EP. The album was self-produced by the band on purpose. They only wanted an engineer who can put their technical knowledge into what we want, the way we want it. Killing Joke 2003 - Killing Joke. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Killing Joke. SME от лица компании Third Party ARESA, LatinAutor - PeerMusic, CMRRA, AMRA, BMI - Broadcast Music Inc. BMG Rights Management US, LLC, ASCAP, Kobalt Music Publishing, LatinAutor, Abramus Digital и другие авторские общества 4. SME от лица компании Third Party ASCAP, LatinAutor, BMG Rights Management US, LLC, BMI - Broadcast Music Inc. ARESA, Kobalt Music Publishing, AMRA, CMRRA и другие авторские общества 4. Формируйте собственную коллекцию записей Killing Joke. Killing Joke LP, Album. EGS 109. Продать эту версию. EGMD , 2311 032. Killing Joke is the debut studio album by English rock band Killing Joke. It was released in August 1980 by record label E. The album has been called an underground classic for fans of heavy music, and has influenced artists ranging from Nirvana to Marilyn Manson and Metallica. The album's lyrics were written by frontman and vocalist Jaz Coleman, and expressed his opinions on issues such as politics, death, hypocrisy, human nature, pollution and exile. Killing Joke are an English rock band from Notting Hill, London, England, formed in October 1978. Their original lineup consisted of Jaz Coleman vocals, keyboards, Paul Ferguson drums, Geordie Walker guitar and Youth bass. Their first album, Killing Joke, was released in 1980. After the release of Revelations in 1982, bassist Youth was replaced by Paul Raven. The band achieved mainstream success in 1985 with both the album Night Time and the single Love Like Blood. Turn to Red 2020. 2020 сингл. The Unperverted Pantomime. 2015 Deluxe. Hosannas from the Basements of Hell. 25th Gathering Let Us Prey. 2015 Live. Down by the River. Singles Collection 1979 - 2012. 2013 Deluxe. In Cythera. 2012 сингл. European Super State. 2011 сингл. Absolute Dissent. In Excelsis. BBC In Concert 23rd March 1985. Since 1980, there have been a hundred bands who sound like this but before Steve Albini and Al Jourgensen made it hip, the cold metallic throb of Killing Joke was exciting and fresh. The harshly sung vocals riding over the pulsating synth lines of the opener Requiem have a vigor and passion that few imitators have managed to match. The precise riffs and tight rhythms found in songs like Wardance would influence a generation of hardcore musicians yet The Wait, with its thrashing guitars and angry vocals, would find itself covered on a Metallica album only s. Killing Joke is the twelfth studio album by Killing Joke released on July 28, 2003 by under Zuma Recordings. Recording for the album in 2002 marked the end of a six year hiatus that began in 1996 and it was Killing Joke's first studio album in seven years. It featured long-time Killing Joke fan. There are 2 albums of the same name by the same artist: Killing Joke was released in August 1980 on EG Music. It was Killing Joke's debut album. The US release was slightly different from the UK version, inserting the track Change between the tracks Complications and . The album was remastered with some bonus tracks in 2005. Killing Joke - Killing Joke review: A post-punk masterpiece of tribal funk-rock and grinding heavy metal with suitably doom-mongering lyrics and splenetic vocals. The Wait is the most well-known Killing Joke song, the dissonant noise at the beginning followed by a choppy funk riff and two-thump, forboding drum, Coleman's voice is higher and distinctly London as he decribes the horrors he sees before the chorus, a just-audible holler of realisation and defiance of THE WAIT complete with hissing high-hat like a
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