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Pastora Pavón Cruz, known as La Niña de los Peines Seville, Spain, 10 February 1890 26 November 1969, is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist. Both brothers, Pastora and Tomás, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or. Voz de Estaño Fundido. Album 1996 24 Songs. Grabaciones Discos Pizarra: La Niña de los Peines y Manuel Vallejo. The Best Of Flamenco. Vintage Flamenco Cante Nº33 - EPs Collectors. Vintage Flamenco Cante Nº34 - EPs Collectors. Voz De Estaño Fundido. Get album. Pastora Pavón Cruz, known as La Niña de los Peines Seville, Spain, February 10, 1890 - November 26, 1969, is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás read more. Voz de Estaño Fundido, 2006. La Niña de los Peines. Esquilones de Plata, 03:00. Válgame Dios, Compañerita, 02:40. Приобретайте пластинки, компакт-диски и многое другое от La Niña De Los Peines на маркетплейсе La Nina De Los Peines. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Palabras Y Poesia Dedicada a La Nina De Los Peines Por D. Rafael Belmonte. Malaguena Estilo Chacon. Canta La Nina De Los Peines. Antonio Mairena. La Niña De Los Peines: Pastora Pavon Cruz, known as La Niña de los Peines, is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavon and Tomas Pavon, also an important flamenco singer, and aunt to Arturo Pavon, the first flamenco pianist. Both brothers, Pastora and Tomas, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or Fosforito, who led the movement towards the revival of traditional forms in the decades of the 50s-70s. Mírame a los Ojos, Yo No. by La Niña de Los Peines. Released: January 1, 1997. Track Listing. Mírame a los Ojos. Manolo Reyes. Al Doble de una Campana. Sombrerito de Hule. De Qué Te Sirve Ponerle. Del Mundo Leguas y Leguas. Esquilones de Plata. Entre Sábanas de Holanda. Válgame Dios, Compañerita. Peinate tú con mis peines Mis peines son de canela. She was born in 1890 in Sevilla and started performing at a very early age. Great Masters of Flamenco, Vol. 3 Chant du monde, 1992. La Niña de los peines, voz de estaño fundido Sonifolk, 1997. La voz de interes cultural: La Niña de los Peines EMI-Odeón, 1997. La Niña de los peines, Patrimonio de Andalucía Fonotrón, 2004. La Niña de los Peines y Manuel Vallejo Disc Medi, 2009